Publication Details
Abstract
The musical drama Tohir and Zuhra, created in 1939 by Sobir Abdulla and To‘xtasin Jalilov, is a pivotal work in Uzbek music theater, blending national traditions with modern theatrical expressions. Staged across numerous Uzbek theaters since its debut, this work gained popularity in Uzbekistan and neighboring countries due to its unique blend of music, drama, and national cultural heritage. Despite its long-standing prominence, the evolution of Tohir and Zuhra’s performances, and its adaptation to modern contexts, remains underexplored in contemporary academic discourse. This article aims to analyze the historical context, musical dramaturgy, and modern interpretations of Tohir and Zuhra across various productions. The study reveals that Tohir and Zuhra has undergone numerous adaptations, each shaping the emotional and thematic delivery of the piece. Changes in dramaturgy and music underscore the dynamic nature of its stage presence, with recent productions incorporating new musical elements and characters. This article offers a fresh perspective by examining the transformation of the musical drama from its original staging to its latest interpretations, considering both musical and dramaturgical aspects. The findings highlight the continued relevance of Tohir and Zuhra in contemporary Uzbek theater and its contribution to the evolving repertoire of musical drama, influencing both modern theatrical practices and the cultural memory of the Uzbek people.