Depiction of Nature in the Works of Togʻay Murod

This article analyzes the role and artistic-aesthetic significance of nature imagery in the works of Togʻay Murod, a major representative of modern Uzbek prose. Using the examples of his novellas and the novel “Otamdan qolgan dalalar,” the article demonstrates the inseparable connection between natural landscapes and the characters' psychological states, as well as the ideological content of the works.