Publication Details
Abstract
Art continues to be a veritable channel of expression of varying concepts and opinions. Therefore, this paper “Significance of Sculptures in Shaping Social Multifarious Narratives”, explores the roles of sculpture as a dynamic medium for conveying societal, cultural, and political messages across historical epochs and modern contexts. The author examines how three-dimensional forms transcend aesthetic boundaries to function as agents of social commentary, historical memory and political satire. Beginning with foundational definitions, the work traces the progression of sculptures as the convenient tool for visual representation. It more so, reaffirms this position through inference from historical significance as agents of social commentary, drawing its perspective from sacred propaganda in ancient Egypt and democratic ideals in classical Greece, through medieval didactic tools and Renaissance humanism. The research addresses the argument in the work of Marcel Duchamp’s “Fountain” in the 20th-century avant-garde and how it critiques contemporary street installations. Furthermore, the study emphasizes the synergy between tactile sculptural installations and journalistic media, demonstrating how visual and informational narratives combine to foster public engagement as it reflects on the reviewed work of Michelangelo’s “David” by the researcher, pondering critical inquiry, and systemic reform. The research thus demonstrates how iconic sculptures as three-dimensional art, have the universal capacity to address themes of liberty, conflict, non-violence and human rights among other narratives.