Narrative Structure and Plot Lines in Gone with the Wind as Elements of World Literary Heritage

This article examines the narrative structure and plot organization of Margaret Mitchell’s novel Gone with the Wind as significant components of world literary heritage. The study aims to analyze how structural elements of narrative, including temporal organization, plot development, and character-centered storytelling, contribute to the novel’s enduring literary value. Employing a qualitative analytical approach grounded in narratology and stylistics, the research investigates the interplay between linear and non-linear narrative techniques, thematic layering, and socio-historical context. The findings reveal that the novel’s complex narrative architecture, characterized by multi-layered plotlines, dynamic character arcs, and temporal shifts, not only enhances its artistic depth but also reflects universal human experiences embedded within specific cultural frameworks. The study argues that Mitchell’s narrative strategies position the novel within the canon of world literature, demonstrating how narrative form serves as a medium for preserving cultural memory and literary continuity.